What is the name of the symphonies in "The Last Samurai" and "Pea!


Question: Composed by Hans Zimmer, the score for The Last Samurai makes use of traditional Japanese instrumentation and compositional techniques, as well as the Western equivalent. The Taiko drum features prominently in the action cues. Vocal shouts and chants are featured in the "Red Warrior" cue. The score was nominated for several awards, including a Golden Globe (Best Original Score), and won an ASCAP award.


[edit] Track listing
A Way of Life
Spectres in the Fog
Taken
A Hard Teacher
To Know My Enemy
Idyll's End
Safe Passage
Ronin
Red Warrior
The Way of the Sword
A Small Measure of Peace

Hans Zimmer also did the music for Pearl Harbor

The album for Pearl Harbor starts with a blockbuster's obligatory hit song from the stunning American singer Faith Hill. Perhaps not as commercial as her recent hits, 'There You'll Be' is a strong emotional song that is likely to do well because of the singer's appeal rather than the connection to the film, although it is broadly based on Hans Zimmer's theme for the film.
The score starts with three melancholy, deeply emotional piano and string cues each lacking Hans Zimmer's heavy percussion treatment and are followed by 'I will Come Back', which is a moving, romantic cue. The sixth, eight-minute cue, 'Attack', contains more than an echo of typical Zimmer scoring, opening with some heavy percussion, but the intensity of the following orchestral music reflects the tragedy of the loss of life and the destruction of the American fleet rather than the glory of the attack or the ensuing action. The cue 'December 7th' deals with the battle's aftermath and is again deeply emotional, tearful and has a religious quality, enhanced by the inclusion of choral sections. 'War' has a greater feel of action, hope and military endeavour than the previous tracks and is wonderful Zimmer combination of percussion, brass and strings. The score ends with 'Heart Of A Volunteer', which is a moving requiem to the American losses and a dirge incorporating a slow march and piano and choral sequences with hymn-like qualities. A fitting end to a poignant, but beautiful score.
Hans Zimmer has written a highly charged, touching and intensive score for Pearl Harbour that might easily be dismissed on the first play, but grows in stature and emotional depth with each listening. This is not a trivial score, but one that has set to be respectful and emotional and has easily achieved that aim.


Answers: Composed by Hans Zimmer, the score for The Last Samurai makes use of traditional Japanese instrumentation and compositional techniques, as well as the Western equivalent. The Taiko drum features prominently in the action cues. Vocal shouts and chants are featured in the "Red Warrior" cue. The score was nominated for several awards, including a Golden Globe (Best Original Score), and won an ASCAP award.


[edit] Track listing
A Way of Life
Spectres in the Fog
Taken
A Hard Teacher
To Know My Enemy
Idyll's End
Safe Passage
Ronin
Red Warrior
The Way of the Sword
A Small Measure of Peace

Hans Zimmer also did the music for Pearl Harbor

The album for Pearl Harbor starts with a blockbuster's obligatory hit song from the stunning American singer Faith Hill. Perhaps not as commercial as her recent hits, 'There You'll Be' is a strong emotional song that is likely to do well because of the singer's appeal rather than the connection to the film, although it is broadly based on Hans Zimmer's theme for the film.
The score starts with three melancholy, deeply emotional piano and string cues each lacking Hans Zimmer's heavy percussion treatment and are followed by 'I will Come Back', which is a moving, romantic cue. The sixth, eight-minute cue, 'Attack', contains more than an echo of typical Zimmer scoring, opening with some heavy percussion, but the intensity of the following orchestral music reflects the tragedy of the loss of life and the destruction of the American fleet rather than the glory of the attack or the ensuing action. The cue 'December 7th' deals with the battle's aftermath and is again deeply emotional, tearful and has a religious quality, enhanced by the inclusion of choral sections. 'War' has a greater feel of action, hope and military endeavour than the previous tracks and is wonderful Zimmer combination of percussion, brass and strings. The score ends with 'Heart Of A Volunteer', which is a moving requiem to the American losses and a dirge incorporating a slow march and piano and choral sequences with hymn-like qualities. A fitting end to a poignant, but beautiful score.
Hans Zimmer has written a highly charged, touching and intensive score for Pearl Harbour that might easily be dismissed on the first play, but grows in stature and emotional depth with each listening. This is not a trivial score, but one that has set to be respectful and emotional and has easily achieved that aim.



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