What did "Bomshot" do to "Jus Allah" to make everyone hate h!


Question: By now, everyone is familiar with the Bomshot/Jus Allah beef, but many people are not familiar with the story behind the creation of the Devilz Rejects project. In a recent interview Jus Allah held with ArtOfRhyme.com, Jus stated, “I think Bomshot is the wackest rapper I've ever heard in my life! He was more of a fan that turned into ‘Yo let me rhyme on your tracks’. I've never recorded one song with Bomshot. Honestly, you never hear me say his name on any of my songs. All the songs [on Devilz Rejects] he super-imposed himself on.” I asked Bomshot to comment on that quote from the AOR interview and this was his response, “Me and Jus Allah formed a group together after we left Omnipotent records [Devilz Rejects]. I helped Jus get his music back from the label- forcefully. He then told me he wanted me to be on all his songs and we would look for another label to put them out with. We recorded the first two GZA songs at DJ Drama’s studio. We recorded the Chief Kamachi joint at my studio as well as the others. I completed this album after our beef started because I didn’t want to lose the money, time, and effort I invested into this project”. I guess the two will have to agree to disagree for now.


Answers: By now, everyone is familiar with the Bomshot/Jus Allah beef, but many people are not familiar with the story behind the creation of the Devilz Rejects project. In a recent interview Jus Allah held with ArtOfRhyme.com, Jus stated, “I think Bomshot is the wackest rapper I've ever heard in my life! He was more of a fan that turned into ‘Yo let me rhyme on your tracks’. I've never recorded one song with Bomshot. Honestly, you never hear me say his name on any of my songs. All the songs [on Devilz Rejects] he super-imposed himself on.” I asked Bomshot to comment on that quote from the AOR interview and this was his response, “Me and Jus Allah formed a group together after we left Omnipotent records [Devilz Rejects]. I helped Jus get his music back from the label- forcefully. He then told me he wanted me to be on all his songs and we would look for another label to put them out with. We recorded the first two GZA songs at DJ Drama’s studio. We recorded the Chief Kamachi joint at my studio as well as the others. I completed this album after our beef started because I didn’t want to lose the money, time, and effort I invested into this project”. I guess the two will have to agree to disagree for now.



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